Comparing Blade Runner to other Scott's films

Alien

• Both films are futuristic and have rather dark themes
• Both are filmed on a set and don't feature many scenes on a location
• Alien is a science fiction horror film; Blade Runner is futuristic
• Sexuality is expressed differently: A is subtle; BR is more obvious - the male and female are both shown

Gladiator

• In both films, there is the theme of the son killing the 'father'
• Dr Eldon Tyrell is killed by Nexus 6 Replicant Roy Battle, his creation; Commodus kills his father Julius Cesar 
• Incest: Both protagonists end up with their 'sister' - Maximus gets with Lucilla, daughter to his 'father'. Deckard ends up with Rachel, 'daughter' to Tyrell, who was probably also created by Deckard.

Prometheus

• Both films feature the characters' searching for who created them
• Like Roy Batty, Peter Weyland journeys to LV-223 in the hope of finding an extension on his rapidly dwindling life
• Frankenstein connection: should artificial life be regarded as the same as humans
• Some argue Prometheus is a sequel to Blade Runner 

Similarities and Differences between Orson Welles's 'The Lady From Shanghai' and Ridley Scott's 'Blade Runner'

Similarities and Differences between Orson Welles's 'The Lady From Shanghai' and Ridley Scott's 'Blade Runner'

Similarities: Both scenes are quite romantic and share a first kiss between the female and male lead; Elsa and Deckard are both the ones to initiate the kiss but their styles differ - Elsa comes across as seductive which fits the femme fatale role whilst Deckard appears more abusive; both films have this theme of an identity struggle with the female leads - are both pretending to be someone else: Rachael is pretending to be a human, Elsa is pretending to be someone else until it's discovered that she's the one who is the murderer

Differences: Blade Runner is shot on a set whilst Lady from Shanghai was set outside in the open; LFS uses film noir whilst BR uses neo-noir; LFS uses high contrast and lowkey lighting whilst BR uses lowkey lighting - neo-noir visual style; BR uses two shots in dialogue whilst LFS uses shot-reverse-shots used in dialogue; BR was shot during the Blockbuster Era whilst LFS was shot during the Hollywood Era; the kiss between Elsa and Michael is more built-up making it appear more intimate whilst the kiss between Deckard and Rachel isn't and the scene is more fast-paced and moves on quickly with the plot indicating that their kiss isn't as important. Deckard's forcefulness and what could be considered Rachael being submissive indicates the type of relationship they have. These differences could be due to their differences in backgrounds; OW worked in the theatre as a director and RS in advertising where he learnt his cinematographic, lighting and editing techniques.

Hollywood in the Studio Era:
Explain what is meant by this term and name main studios 

The term 'studio system' was commonly used during a period of time known as the 'Golden Age of Hollywood'.It refers to a method of film production and distribution owned by a small number of 'major' studios in Hollywood although it is still commonly used today as a reference to the systems and output of the major studios. The term dates back to the practice of large motion picture studios between the 1920s and 1960s.
Five large companies, 20th Century Fox, RKO Pictures, Paramount Pictures, Warner Bros., and Metro-Goldwyn-Mayer came to be known as the Big Five trade publications and their management structures and practices collectively came to be known as the "studio system."

The ranking of the big five (in terms of the profit being made) was largely consistent during the Golden Age. MGM was number one for eleven years (1931-41), Paramount, the most successful sound studio within 1928-30 faded for the better part of the subsequent decade, and Fox was number two for most of MGM's reign. Paramount began a steady ascent in 1940, edging past MGM two years later and became the most financially successful of the Big Five (except for in 1932 when they lost money).

Hollywood became really successful during the Great Depression when films were used as a coping mechanism to help people escape their personal difficulties. President Franklin Delano Roosevelt said of Shirley Temple, "When the spirit of the people is lower than at any other time during this Depression, it is a splendid thing that for just fifteen cents an American can go to a movie and look at the smiling face of a baby and forget his troubles".